Yeat
Yeat has never played by anyone’s rules but his own. The 25-year-old rap disruptor, fresh off back-to-back Zurich arena takeovers with Drake on the $ome $exy $ongs 4 U Tour, just dropped the video for “COMË N GO” whicih was filmed guerrilla-style at Cologne Cathedral, one of Europe’s most famous landmarks and a UNESCO World Heritage site. A single Instagram story was all it took: thousands of kids mobbed the gothic plaza, climbing barricades and flooding the streets, while Yeat turned the chaos into high-definition mythology.
Produced by longtime collaborator BNYX, “COMË N GO” has already emerged as the standout from Yeat’s new EP, Dangerous Summer. The project stacks heavyweights—FKA Twigs, Don Toliver, SahBabii—and frames Yeat in widescreen: harder, stranger, and sharper than ever.
The rollout has been pure Yeat—cover art and music video shot by Harmony Korine with actual live alligators in a grimy Broward County motel, nuclear fallout–themed billboards popping up overnight like some post-apocalyptic scavenger hunt, a feature list unveiled guerilla-style—it’s the kind of worldbuilding only Yeat could pull off.
And it comes at the peak of a year that’s been one long flex: a co-headline smash with Don Toliver at Summer Smash Festival, surprise stage crashes with Drake at Wireless in London, 120,000 fans moving to his set in Romania, and shutting down Poland’s Clout Festival. If last year’s Lyfestyle made him a chart-topping star, Dangerous Summer is a mission statement.
And let’s not forget the music itself: lo-fi and primal—Yeat’s sound has reshaped the rap landscape since “Gët Busy” went viral all the way back in 2021. In just four years, he’s become the rare artist who can headline massive festivals, move 89,000 units first week, and still pull off a flash-mob cathedral shoot that feels like a riot turned into art.
At 11 tracks, Dangerous Summer plays like a prelude to Yeat’s rumored full-length ADL (A Dangerous Lyfe). The cuts are stacked: “PUT IT ONG” comes with a Lyrical Lemonade visual, “M.F.U.” links him with SahBabii, “2TONE” brings Don Toliver into Yeat’s warped universe, and FKA Twigs drifts like an alien ghost over “FLY NITË.” Even the tracklist itself hides a teaser—“[ADL IS COMING]”—planting a flag for what’s next.
Yeat’s rise has been relentless, in just three years, he’s dropped five Billboard Top 10 debuts and a #1 album with Lyfestyle. He’s soundtracked viral TikToks, remixed Drake’s Views classic “Feël no wayz,” and turned festival stages into apocalyptic playgrounds. The Guardian recently called his London debut “ribcage-reverberating.” That’s not just hype—it’s prophecy.
What makes Yeat different isn’t just the numbers, or even the mania—it’s that he’s an artist building a whole new universe.
“COMË N GO” is Yeat opening another chapter—he’s bigger, riskier, stranger, and louder than anyone else in the game right now.
A dangerous summer? More like the calm before the storm.
Watch the COMË N GO video here.
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